All right, seriously...
No really, you want to write a movie? Okay, Ring Lardner before you jump into a typing frenzy, here’s a quick checklist every solid story should have before to sit down to compose the next Pulp Fiction:
Basic Plot Summary
Can you condense your entire script down into one sentence: “This is about how Harry met Sally, had a friendship, and fell in love.” If you can’t boil your story down to a basic premise that takes us from point A to B, then you need to simplify.
Plot Outline
After you figure out the premise, you should figure out the action. A point-by-point plot outline will help you build a strong backbone for your script:
“Jack meets Jill at a bar, flirt with each other, and challenge each other to a drinking contest.
Jack wakes up the next morning on a subway platform wearing a cheap cocktail dress and has lost his wallet.”
Know Your Characters
Know who the people are who you are writing about. You will discover them more as you develop your script, but you should know what they want and why they want it.
Do Your Research
How many When Harry Met Sally clones are out there? If your script sounds like it, you should figure out why. It’s not to say you can’t write a New York rom-com, just don’t write the exact same one. Lajos Egrei wrote in his book The Art of Dramatic Writing that the same stories have already been told, but it’s how you choose to tell it that will make your story different… or not.
Write About The Nightlife
Isn’t the New York nightlife just grand? You know: the stuff of all good movie. Now, granted, you could find yourself in a bit of weird predicament. Your research could consist of going out every single night and getting super-wasted until the wee hours. Or, you could end-up on the wrong side of a poker game with the Russian mob. Even worse, trying to figure out why you’ve woken up in a bathtub filled with ice. But that’s what’s exciting about New York at night – you never know what you’ll find. How could that not turn into a great movie? Or, at least, a half-decent bar story.
Waste Your Talent On Selfish Addictions
All great writers have debilitating addictions that bring them to brink of madness: Dylan Thomas, F. Scott Fitzgerald, Matt Fried. Of course, those guys had it easy with being alcoholics. That’s a genetic disease that no one can help. Even a basic drug habit just wears on your finances after a while. I deal with something far worse and devastating: skee ball. Every morning I wake up, take the subway into Manhattan to the nearest Chuck E. Cheese, and spend hours gorging my quarters into machines – trying in vain to hit a high score. Then I come back to me apartment and stay up until daybreak, writing my content for Guidespot, and averaging out my last few scores. It’s a deadly cycle.
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